Math Meets Fashion

Nov 1, 2013

Chromavision Editor, Jahil Maplestone, finished cutting a show for Scholastic Productions on the subject of teaching students about the math behind fashion design, for its series, Math At Work. Math Meets Fashion, features Designer, Diane Von Furstenburg and Tim Gunn, who is featured in Lifetime’s, Project Runway. Jahil edited and color corrected the show, working with client R2 Studios. The 6 part, 26-minute show was completed in less than 2 weeks.

Chromavision Edits for AstraZeneca

Oct 25, 2013

Chromavision Editor, Jahil Maplestone, edits for AstraZeneca’s Sybicort. He consulted on green screen set up during pre-production and provided Edit, Sound Mix and Color Correct for (2) videos of a mock newscast presentation and various scripted scenes. Graphic and live action backgrounds were composited over various green screen set-ups.

Deliverables included files for use on iPads, PC's and the Web.

Jean Paul Gaultier Exhibit

Sep 26, 2013

Chromavision Shoots RED 4K and Edits for the Brooklyn Museum Exhibit on The Fashion World of Jean Paul Gaultier: From The Sidewalk To The Catwalk. Video shot by DP Josh Walter Earnest Hays. Edit and deliverables by Michael Green. The Exhibit runs from October 25th 2013 through February 23rd 2014.

Festivals

Sep 16, 2013

Chromavision produced a subtitled DCP of Bruce Weber’s work in progress, Nice Girls Don’t Stay For Breakfast, a tribute to the actor, Robert Mitchum, which was presented at the Venice Film Festival. Additionally, Chromavision produced a subtitled DCP of the director Larry Clark’s film, Marfa Girl, which was presented at the Deauville Film Festival. Translations & Subtitles for both films were provided by Chromavision's associate LVT Subtitling.

Chromavision Produces United States of Football DCP

Jul 31, 2013

Chromavision produced the DCP Theatrical Trailer & Feature of the United States of Football TheUSofFootball. Produced and Edited by Justin Bergeron & Written and Directed by Sean Pamphilon, the film is to be released in theaters in August 2013. The film was delivered to Chromavision in 29.97 Frames per Second (FPS). Prior to making the DCP, Chromavision utilized its new Teranex 3D to convert the film to 24 (FPS) with excellent results.

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